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Shot library
Fifty-four reusable shot recipes for AI influencer content. Each one is a framing, a direction and a finish that composes with any persona — and each carries the weakest production route it will survive on, so you know what you can afford before you generate it.
A shot never describes the person. It describes what is happening to them — the framing, the direction, the light — and composes around the locked line from your character sheet. Describing the face a second time inside a shot prompt is the most reliable way to lose it.
28 of the 54 need no reference frame at all, which is the practical answer to “can I run this on the cheapest route”. Most of them have no face in them.
28 shots
need at least text alone
15 shots
need at least one image
11 shots
need at least lora
10 groups
Each group has its own page explaining what it is for and what it demands of a production route.
Portrait
6 shots
Face-forward frames where the identity is the whole subject.
Talking head
6 shots
Speaking to camera, the workhorse frame of every short-form account.
Lifestyle
6 shots
The persona inside a scene, at middle distance, doing something.
Product in hand
6 shots
The thing being sold, held, at the distance a buyer would hold it.
Demonstration
8 shots
Hands doing the step, face out of frame or barely in it.
Flat lay
8 shots
Objects arranged from directly above, no person at all.
UGC / selfie
4 shots
Deliberately imperfect, phone-in-hand, at arm's length.
Motion
4 shots
Video frames — walking, turning, gesturing, a camera move.
Street & environment
3 shots
Wide frames where the location does the talking.
Studio
3 shots
Controlled light, clean backdrop, catalogue register.
Browse
Route first: it is the only filter that tells you whether a frame is reachable at all on the setup you have.
What you must build before the frame is reproducible
Keeps every universal shot and drops the ones bound elsewhere
54 of 54 shots
Head and shoulders, centred, shot on an 85mm at f/2
Tight head and shoulders, shot on a 50mm at f/4
Chest up, slightly off-centre, shot on a 35mm at f/1.8
Waist up, shot on a 135mm at f/2.8
Head and shoulders, shot on a 35mm at f/1.4
Full profile, then a three-quarter turn, matched framing
Chest up, dead centre, phone at eye height
Chest up, offset to the right third, camera at eye height
Seated, waist up, camera slightly above eye height
Three-quarter body, standing beside a whiteboard that fills the right half of frame
Head only, tightly cropped to a circle, low-fidelity webcam look
Chest up behind a counter, camera at chest height looking slightly up
Full body at middle distance, shot on a 35mm at f/4
Three-quarter body, shot through a rack on a 50mm at f/2.8
Seated, waist up, shot from across the table on a 35mm at f/2
Full body at middle distance, shot on a 28mm at f/2
Wide, full room, person occupying the left third, shot on a 24mm at f/5.6
Wide from behind and slightly above, person seated at a lit desk
Full length, centred, shot on a 50mm at f/8 from six metres
Head and shoulders, centred, shot on a 105mm at f/5.6
Four matched full-length frames: front, left three-quarter, profile, back
Hands and lower face only, product held at chest height, shot on a 50mm at f/2.8
Fabric and one seam filling the frame, shot on a 100mm macro at f/4
Hands and chin, bottle held up and turned, camera close
A printed menu on a table, two hands at the edges, shot from directly above
One shoulder and the top of an arm, cropped tight, shot on an 85mm at f/4
A tape measure pulled across a gap, hands at both ends, shot from directly in front
Hands and the working surface only, camera at forty-five degrees
Chest up, mirror behind, camera fixed at eye height
Full body in profile, camera fixed at hip height, three metres back
Directly above a hob, pan centred, hands entering from the bottom of frame
Bench-height, hands and torso, camera at forty-five degrees from the left
Directly above a work surface, hands and material only
Directly above a desk, notes and a hand holding a pen
Full-frame screen content, persona in a small inset in one corner
Directly above a surface, objects arranged with generous spacing
An open notebook filling two-thirds of frame, pen and one prop alongside
A complete outfit laid out as if worn, shot from directly above
The back of a forearm filling the frame, three swatches drawn across it
Identical framing, identical light, identical distance, side by side
A single printed page on a plain surface, square crop, page filling the frame
A folded map on a table, 2:3 vertical crop, edges cropped out
Two cards side by side on a dark surface, square crop
Full length in a mirror, phone visible in hand at chest height
Head and shoulders at arm's length, slight wide-angle distortion, camera above eye height
Chest up in a bathroom mirror, phone in one hand, product in the other
Head and shoulders in a driver's seat, phone propped, engine off
Full body walking toward a static camera at chest height, eight metres to two
Chest up, starting in profile, camera static on an 85mm
Chest up, static camera, hands entering the lower third
Medium wide, static camera, chair in the centre
Wide, subject occupying the left third, shot on a 28mm at f/5.6
Wide across a road, subject mid-crossing, shot on a 35mm at f/8
Medium wide at a stall, subject in three-quarter view, shot on a 35mm at f/2.8
The planner picks from this library for you — filtered to your niche, capped at what your production route can afford, and batched by setup so a month is shot in one sitting rather than thirty.