The recipe
The shot never describes the person. It describes what is happening to them, which is what keeps the face out of the variables.
Getting it right
This shot is niche-bound: the planner only puts it in a calendar for Fashion & styling. A tape measure in a personal-finance calendar is the kind of plausible nonsense a generator produces when nobody models the constraint.
Composed
The locked line comes from the character sheet; everything after it comes from the recipe above. Swap in your own line and nothing else changes.
Midjourney
Overhead photograph of a woman, mid thirties, Northern European features, a long face with a high forehead, grey-blue hooded eyes, feathered brows, an aquiline nose, a thinner upper lip, a pronounced widow's peak, chin-length straight silver grey hair with a blunt fringe, fair skin, a matte finish, tall with a lean build. Wearing unbranded tailoring in neutral tones, a cool neutral palette of slate, fog and off-white, in a bare studio with a seamless backdrop, flat overcast daylight, camera at eye level. A complete outfit laid out as if worn, shot from directly above. Garments in anatomical position, shoes at the bottom, one accessory offset. Flat even light, plain pale background, soft contact shadows --ar 4:5 --style raw --seed 861237380 --cref [url of your approved reference frame] --cw 100
Flux
Overhead photograph of a woman, mid thirties, Northern European features, a long face with a high forehead, grey-blue hooded eyes, feathered brows, an aquiline nose, a thinner upper lip, a pronounced widow's peak, chin-length straight silver grey hair with a blunt fringe, fair skin, a matte finish, tall with a lean build. Wearing unbranded tailoring in neutral tones, a cool neutral palette of slate, fog and off-white, in a bare studio with a seamless backdrop, flat overcast daylight, camera at eye level. A complete outfit laid out as if worn, shot from directly above. Garments in anatomical position, shoes at the bottom, one accessory offset. Flat even light, plain pale background, soft contact shadows negative: beauty filter, airbrushed skin, plastic skin, waxy skin, over-smoothed, perfectly symmetrical face, extra fingers, malformed hands, warped jewellery, text artifacts, watermark, logo on clothing, duplicate person, changing facial structure, straight hairline, oily highlight seed: 861237380 | guidance: 3.5 | steps: 28
Seedream
Overhead photograph of a woman, mid thirties, Northern European features, a long face with a high forehead, grey-blue hooded eyes, feathered brows, an aquiline nose, a thinner upper lip, a pronounced widow's peak, chin-length straight silver grey hair with a blunt fringe, fair skin, a matte finish, tall with a lean build. Wearing unbranded tailoring in neutral tones, a cool neutral palette of slate, fog and off-white, in a bare studio with a seamless backdrop, flat overcast daylight, camera at eye level. A complete outfit laid out as if worn, shot from directly above. Garments in anatomical position, shoes at the bottom, one accessory offset. Flat even light, plain pale background, soft contact shadows Keep identical: a woman, mid thirties, Northern European features, a long face with a high forehead, grey-blue hooded eyes, feathered brows, an aquiline nose, a thinner upper lip, a pronounced widow's peak, chin-length straight silver grey hair with a blunt fringe, fair skin, a matte finish, tall with a lean build Change only: [the one thing that changes in this shot]
Used by
Flat lay
Directly above a surface, objects arranged with generous spacing
An open notebook filling two-thirds of frame, pen and one prop alongside
The back of a forearm filling the frame, three swatches drawn across it
Identical framing, identical light, identical distance, side by side
A single printed page on a plain surface, square crop, page filling the frame
A folded map on a table, 2:3 vertical crop, edges cropped out
Two cards side by side on a dark surface, square crop