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Preview data: all rankings, scores, votes, refresh labels, methodology, testing and editorial-process statements in Top 49 are illustrative demo content, not live measurements or documented reviews.
Rank 172Up 2
#17 in Novels of All Time
of 19 ranked entries
Wuthering Heights
Emily Brontë · 1847
Brontë built a love story with almost no likable characters and let Heathcliff and Catherine’s obsession curdle into genuine cruelty across two generations, refusing the tidy redemption Victorian readers expected. Recorded specifics: published 1847, author Emily Brontë, pages 348. Panel highlighted a structural boldness — cruelty with no redemption arc — rare for its era, a framed narrative device that adds genuine ambiguity to events and atmosphere and setting used as active participants in the story’s violence. The reservation on record is its characters’ deliberate unlikability is a genuine barrier for some readers.
GothicTragedy
Score breakdown
How Wuthering Heights earned 73.4
Each criterion is scored independently, then combined using the weights published on Novels of All Time.
- Prose craftweight 30%
- 74.1
- Structural ambitionweight 25%
- 75.5
- Cultural & literary influenceweight 25%
- 71.2
- Enduring relevanceweight 20%
- 72.6
On the record
Recorded detail
| Published | 1847 |
|---|---|
| Author | Emily Brontë |
| Pages | 348 |
| Rating | 8.9 |
Panel verdict
Strengths and reservations
What it gets right
- A structural boldness — cruelty with no redemption arc — rare for its era
- A framed narrative device that adds genuine ambiguity to events
- Atmosphere and setting used as active participants in the story’s violence
Where it gives ground
- Its characters’ deliberate unlikability is a genuine barrier for some readers
1 appearance
Where this entry ranks
From the same list
Ranked alongside it
Rank 01Editor’s pickOne Hundred Years of Solitude
Gabriel García Márquez · 1967
García Márquez folded a century of Colombian history into one family’s repeating names and recurring tragedies, treating flying carpets and years-long rainstorms with the same flat, factual tone as a birth certificate — the technique that gave magical realism its name.
96.4/100 Top 49 score—No change
Rank 02Editor’s pickDon Quixote
Miguel de Cervantes · 1605
Cervantes wrote a parody of chivalric romance and, four centuries before anyone had a word for it, produced something close to the first modern novel — self-aware, structurally playful, and still funnier than its reputation suggests.
94.8/100 Top 49 score3Up 3
Rank 03Editor’s pickAnna Karenina
Leo Tolstoy · 1877
Tolstoy opened with the most quoted line in the novel’s history and then spent eight hundred pages proving it, tracking Anna’s doomed affair against Levin’s quieter, more hopeful search for meaning in farm labor and family.
94.2/100 Top 49 score3Up 3
Rank 04Moby-Dick
Herman Melville · 1851
Melville buried a taut revenge thriller inside several hundred pages of cetology, taxonomy and digression, and the digressions turn out to be the point — an entire America’s restless, obsessive energy poured into hunting one whale.
92.4/100 Top 49 score3Down 3
Rank 05Middlemarch
George Eliot · 1871
Eliot tracked an entire English town’s marriages, ambitions and quiet compromises with a psychological precision Virginia Woolf later called "one of the few English novels written for grown-up people."
91.5/100 Top 49 score3Down 3
Rank 06Crime and Punishment
Fyodor Dostoevsky · 1866
Dostoevsky spent most of the book inside a murderer’s head after the murder rather than before it, turning a crime novel into an extended study of guilt that argues morality survives even a mind determined to reason its way past it.
88.9/100 Top 49 score3Down 3
Rank 07Beloved
Toni Morrison · 1987
Morrison gave slavery’s trauma an actual body — a murdered child returned as a haunting, demanding presence — and refused to let the horror stay comfortably in the past tense the way historical fiction usually allows.
87.0/100 Top 49 score4Up 4
Rank 08Pride and Prejudice
Jane Austen · 1813
Austen wrote a marriage plot sharp enough to double as social criticism, and Elizabeth Bennet’s wit remains the template every romantic-comedy heroine since has been measured against, whether the writers realize it or not.
85.8/100 Top 49 score3Up 3
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